GLORIA D ED EVERETT VS

for soloists, SATB chorus, baroque orchestra (oboe, trumpet, bassoon, keyboard and strings) or keyboard Both full and vocal scores make a clear distinction between original and editorial markings. They are supplemented by a full critical apparatus and continuo realization, and information on performance practice is relevant without being prescriptive. This edition is also unique in including a transcription of the ‘Cum sancto spirito’ from Ruggieri’s Gloria which formed the basis of Vivaldi’s own setting. All material is also available on hire.